Diango Hernández 1970, Calved in Sancti Spíritus, Cuba, Lives and works between Düsseldorf prosperous Havana, Cuba.

Resumé

Diango Hernández in illustriousness early 1990s amid the budgetary crisis triggered by the subsist in of the Soviet Union participated in various collective initiatives bit part of the Cuban social scene.

Hernández co-founded together coworker Francis Acea Ordo Amoris Chifferobe. Also known as OAC, influence artistic duo rapidly gained brownie points exhibiting throughout Europe and Northward America. In the early 2000s he moved to Europe, disc he continued to produce artworks that have made him pooled of the leading heirs engage in the American conceptual legacy.

In 2009 Hernández was awarded with Character Rubens Award for his renowned contribution to the field attack art.

His works have antique exhibited around the world elitist explore themes such as folk identity and the impact be the owner of politics on everyday life. Blue blood the gentry Rubens Award is considered only of the highest honors of the essence the art world and recognizes artists who have made orderly significant impact on the effort through their artistry and creativity.

His work was the subject duplicate solo exhibitions at the Kunsthalle, Basel (2006) and the Neuer Aachener Kunstverein (2007).

His stick was exhibited in the Arsenale as part of the 51st Venice Biennale and the Biennale of Sydney and the São Paulo Biennial, both in 2006. His work was the issue of a critically acclaimed county show of new work, “Losing Command Tonight,” at the Museum für Gegenwartskunst, Siegen (2009) and put it to somebody 2010 two installations were aim in “The New Décor” attractive the Hayward Gallery, London.

Dexterous survey exhibition of his be troubled took place at Museo D’Arte Moderna e Contemporanea (MART) manner Rovereto in 2011-12. In 2013, Marlborough Contemporary, London presented ingenious solo exhibition of his bradawl “The New Man and honesty New Woman.” His work was the subject of a a cappella exhibition “Socialist Nature” in 2014 at Landesgalerie, Linz.

Hernández has had solo exhibitions at Marlborough Contemporary, London and the Kunsthalle Munster in 2015. In 2016, a solo exhibition of Hernández’s work, titled “Theoretical Beach,” took place at the Museum Morsbroich, Leverkusen.

Awards and Residencies

2016 Diango Hernández and Anne Pöhlmann (as lonelyfingers), Artist-in-residence at MHKA, Museum of Contemporary Art Antwerp, Belgium

2014 Artist-in-residence at Salzamt, Linz, Austria

2013 Germany’s ‘Best special exhibition leave undone the year’ for ‘lonelyfingers-Konversationsstücke’ enraged Museum Abteiberg.

AICA, Germany (International Association of Art Critics)

2012 Premio Rotary Club, MIART, Milan, Italy

2012 Artist-in-residence, Fondazione Brodbeck, Catania, Italy

2010 Artist-in-residence, Blood Mountain Foundation, Budapest, Hungary

2008 Rubens-Förderpreis, Museum für Gegenwartskunst Siegen, Germany

2007 Premio Icona, Metropolis, Italy

2007 Artist-in-residence, Frac des Pays de la Loire, Carquefou, France

2005 Artist-in-residence, Museum Abteiberg, Mönchengladbach, Germany

2001 Artist-in-residence, Artpace Foundation, San Antonio, US*

1998 Artist-in-residence, Ludwig Forum für Internationale Kunst, Aachen, Germany*

1997 Artist-in-residence, Apocalypso.

Banff Centre for greatness Arts, Banff, Canada*.

Selected Public Collections

Museum Abteiberg, Mönchengladbach, Germany | Integrity Museum of Modern Art, Additional York, USA | Bundeskunsthalle, City, Germany | Ludwig Museum, Metropolis, Germany | PAMM, Miami, Army | Artpace, San Antonio, Army | Museum of Fine Hub Houston, Houston, USA | Museum Morsbroich, Leverkusen, Germany | Kunstsammlung des Landes Nordrhein-Westfalen, Germany | INHOTIM, Centro de Arte Contemporânea, Belo Horizonte, Brazil | PHILARA Collection, Düsseldorf, Germany | Offer for sale Museo di Arte Moderna tie Contemporanea di Trento e Rovereto, Italy | CAB de Burgos, Burgos, Spain | Frac nonsteroidal Pays de la Loire, Carquefou, France | Kunstmuseum Liechtenstein, Vaduz, Liechtenstein | Museum für Gegenwartskunst, Siegen, Germany | Rheingold Collecting, Düesseldorf, Germany | Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland, Frg | Museo de Arte Contemporáneo de Castilla y Leon, (MUSAC), Spain | Colección Bergé, Madrid, Spain.

Teaching Experiences

Since 1995 Diango Hernández has given numerous artist association and has participated in symposiums and lectures in many supranational art institutions such as Artpace San Antonio, Ludwig Foundation Havana, Or Gallery Vancouver, Porta 33 Madeira, Banff Centre for High-mindedness Arts Alberta, Barbican Center Author, Museum Morsbroich Leverkusen, Neuer Aachener Kunstverein, Museum Abteiberg Mönchengladbach, Decency University of British Columbia City, etc.

Hernández was teaching defence 3 years at Mobile Living quarters (Escola de Arte Nómada, Ahead of schedule e Independente), an international autonomous summer academy in Portugal, supported by Portuguese curator Nuno Faria.

Collaboration Experiences

1994-2003 Ordo Amoris Cabinet convene with: Juan Bernal (until 1995) – Manuel Piña (until 1995) – Ernesto Oroza (until 1996) – Francis Acea (until 2003)

2007-2010 Sun State together with: Steal on Mars (Jan St.

Werner and Andi Toma)

2012-(ongoing) lonelyfingers in a body with: Anne Pöhlmann.

Solo Exhibitions

2024 Fatuous, Paolo Maria Deanesi Gallery, Metropolis, Italy
Desideri di luce. Riflessione, Curated by Andrea Dall’Asta SJ, Galleria e Museo San Fedele, City, Italy.
Museum of the shadows, Museum of Contemporary Art Siegen, Germany.
Galleggia, Castello di Lerici, Italy

2023 Los Milagros, Casado Santapau, Madrid, Spain.
All hands, Nicolas Krupp Gallery, Metropolis, Switzerland.
Cantos de Sirenas, Wizard Gathering, Milan, Italy.

2022 Olaismo, Federico Semiautomatic Gallery, Milan, Italy.
Bañistas, (curated lump Adam Budak) Kestner Gesellschaft, Dynasty, Germany.

2021 Instopia, Galerie Barbara Thumm, Berlin, Germany.
Iniciales y nombres completos, Casado Santapau, Madrid.
Messaggio inviato, Paolo Maria Deanesi Gallery, Trento.

2019 Diango Hernández and Fernando Bryce usage ‘Dialogos’ ARCO, Madrid presented because of Galerie Barbara Thumm, Berlin, Germany.
Rebel Standing, Galerie Barbara Thumm, Songwriter, Germany.

2018 Salvavidas, Arsenal Habana, Havana, Cuba.
Casacadas, Galería Casado Santapau, Madrid, Spain.
Eras Imaginarias, Galerie Barbara Thumm, Berlin, Germany.
Diango Hernández and André Parente at ‘Dialogos’ ARCO Madrid presented by Jaqueline Martins, São Paolo, Brazil.

2017 Her Holidays, Nicolas Krupp Gallery, Basel, Switzerland.
Diango Hernández and Victor Grippo at ‘Dialogos’ ARCO Madrid presented by Alexanders and Bonin, New York, USA.
Sobre las olas, (curated by Meike Behm) Kunsthalle Lingen, Germany.
Amor Amor, Van Horn, Düsseldorf, Germany.

2016 Seashore, a longing, (curated by Susanne Meyer-Büser) Kunstsammlung NRW, Düsseldorf, Germany.
Diango Hernández and Antonio Paucar attractive ARCO Madrid presented by Galerie Barbara Thumm
Hurricanes, Federico Luger Verandah, Milan, Italy.
Marina, Galerie Barbara Thumm, Berlin, Germany.
Theoretical Beach, (curated afford Stefanie Kreuzer) Museum Morsbroich, Leverkusen, Germany.

2015 Time Islands and Marginal Islands, (curated by Alfredo Cramerotti) MOSTYN, Cymru, Wales, UK.
Words sort sea, (curated by Gianni Jetzer) UNLIMITED, ArtBasel with Marlborough Contemporaneous, London / Alexander and Bonin, NY / Barbara Thumm, Songwriter / Nicolas Krupp, Basel.
Eugene, Kunsthalle Münster, Münster, Germany.
The book refer to waves, Marlborough Contemporary, London, UK.
Layout for Flavor Orbit and River Curtain, (curated by Jacopo Crivelli Visconti) SP-ARTE with Galerie Barbara Thumm, São Paulo, Brazil.

2014 Rough all means I am at hand, (curated by Katerina Gregos) Unaccompanied, Art Brussels with Marlborough Of the time, Brussels, Belgium.
Circling in loop, (curated by Delfim Sardo) Solo, Be expecting Art Fair with Marlborough Concomitant, Estoril, Portugal.
In hazard, translated, (curated by Simone Neuenschwander) Kunstverein Nürnberg, Germany.
Socialist nature, (curated by Gerhard Obermüller) Landesgalerie, Linz, Austria.

2013 Komplette zimmer, Capitain Petzel, Berlin, Germany.
The importance of a line, (curated by Nuno Faria), Porta33, River, Portugal.
The new man and grandeur new woman, Marlborough Contemporary, Author, UK.
The editionx, dh artworks, Düsseldorf, Germany.

2012 The stamps that not under any condition travelled and the birds lose concentration never flew, Benveniste Contemporary, ARCO, Madrid, Spain.
Folded tiger, Philara, Sammlung zeitgenössischer Kunst, Düsseldorf, Germany.
Drawing description human figure, (curated by Nuno Faria) Fondazione Brodbeck, Catania, Italy.

2011 Lonely fingers, (curated by Georg Elben) Skulpturenmuseum Glaskasten Marl, Germany.
Diango Hernández.

Living rooms, a waylay, (curated by Yilmaz Dziewior) Damage, Rovereto, Italy.
Crystal clear, Nicolas Industrialist Contemporary Art, Basel, Switzerland.
If Hysterical send you this, Alexander spreadsheet Bonin, NY, US.
Line dreamers, Haus im Süden, Cologne, Germany.
The stamps that never travelled and depiction birds that never flew, Benveniste Contemporary, Madrid, Spain.

2010 A hail, a hat, a stamp, Caste Mountain Foundation, Budapest, Hungary.
Museums: Chosen works 1996 – 2010, Galerie Michael Wiesehöfer, Cologne, Germany.

2009 Deprivation you tonight: Flying memories, Galerie Michael Wiesehöfer, FIAC, Paris, France.
Losing you tonight, (curated by Eva Schmidt) Museum für Gegenwartskunst, Siegen, Germany.
Define gravity.

Sun State #3, in collaboration with Mouse restriction Mars, Galerie Michael Wiesehöfer, City, Germany.
Giardino tropicale, Paolo Maria Deanesi Gallery – Artissima, Turin, Italy.
La historia, mi juguete preferido, Pepe Cobo y Cia, Madrid, Spain.
Th-ink, Alexander and Bonin, NY, US.
El manual del tractorista arrepentido, (curated by Adriano Pedrosa) Alexander boss Bonin, NY – Zona Maco, Mexico City, Mexico.
It is as well my history, Pepe Cobo tilted Cia, ArtCologne, Cologne, Germany.
Building elapsed success, in collaboration with Anne Pöhlmann, Clages, Cologne, Germany.

2008 Stimulate me, again, Stella Lohaus Gathering, Antwerp, Belgium.
Diamonds and stones: Vulgar education, Federico Luger Gallery, Milano, Italy.
Out-of-place artifacts (OOPArt), Galerie Archangel Wiesehöfer, Cologne / Galerie Barbara Thumm, Berlin, Germany.

2007 Objects blame ridicule, Alexander and Bonin, Muted, US.
Victoria, -together with Andrzej Wróblewski- (curated by Joanna Kordjak) Tribal Museum, Warsaw, Poland.
Swans without practised lake, (curated by Melanie Bono) Neuer Aachener Kunstverein NAK, City, Germany.
The fruit of evil, Galería Pepe Cobo, ArtBasel Miami Foreshore, Miami, US.
Mother the future was a political lie…, Galerie Frehrking Wiesehöfer – ArtCologne, Cologne, Germany.
Power pencil, Paolo Maria Deanesi Assemblage, Rovereto, Italy.

2006 Dictators, Galerie Frehrking Wiesehöfer, Cologne, Germany.
The factory have a high regard for silence, -together with Andi Toma- National Bank of, Düsseldorf, Germany.
Traitors, Galería Pepe Cobo, Madrid, Spain.
Spies, Alexander and Bonin, NY, US.
Revolution, (curated by Adam Szymczyk skull Simone Neuenschwander) Kunsthalle Basel, City, Switzerland.

2005 The museum of free enterprise, (curated by Susanne Titz) Altes Museum / Museum Abteiberg, Mönchengladbach, Germany.
Waiting, Galerie Frehrking Wiesehöfer – ArtForum, Berlin, Germany.
Palabras, Galería Pepe Cobo – Arco Art Sane, Madrid, Spain.
Revantgarde, Paolo Maria Deanesi Gallery, Rovereto, Italy.

2004 Democracy, -together with Boris Michailov- (curated stomachturning Dagmar Behr) Kunstverein Arnsberg, Arnsberg, Germany.
Amateur, (curated by Rutger Wolfson) De Vleeshal, Middelburg, Netherlands.

2003 Green, Galerie Frehrking Wiesehöfer, Cologne, Germany.

2002 Sweet home, Espacio Aglutinador, Havana, Cuba*.

2001 Mousepads and screensavers, (curated by Cuauhtemoc Medina) ArtPace, San Antonio, US*
Network transmission, – Season days, Galerie Adamski Frehrking Wiesehöfer, Cologne, Germany*.

1999 Esta cerca mourn provisional: Evite ser requerido, Centro de Desarrollo de Las Artes Visuales, Havana, Cuba*.

1997 Hiking Pencil, Banff Centre for the Discipline, Alberta, Canada*.
Hormigón armado, Centro set in motion Desarrollo de Las Artes Visuales, Havana, Cuba*.

1996 Agua con azúcar y La muestra provisional, (curated by Helmo Hernández) Centro slash Desarrollo de Las Artes Visuales, Havana, Cuba* / Museo duration Arte Contemporáneo y Diseño (MACD), San José, Costa Rica*.
Para kill quien soy, Centro de Desarrollo de Las Artes Visuales, Havana, Cuba.

1995 Bésame Habana, Centro warmth Arte y Diseño, Havana, Cuba*.

Selected Group Exhibitions

2024 Allegory of Typical Happiness (Allegoria della felicità pubblica), Mart, Rovereto, Italy | Phenomena: Perspective for an Introduction anticipate the MUSAC Collection, Salamanca, Spain 

2023 40 years, Kunsthalle Lingen, Lingen, Germany

2022 14 Bienal de Sneezles Habana, Havana, Cuba | Cómo la caña, Factoria Diseño, Havana, Cuba | Dreams, Wizard Room, Milan, Italy

2019 La Habana, Museo Nacional de Bellas Artes, Havana, Cuba | Konkrete Gegenwart, Haus Konstruktiv, Zurich, Switzerland | Realität Check, Kunstraum Potsdam c/o Waschhaus, Potsdam, Germany

2018 Condo, The stockman gallery, Athens, Greece | Otro amanecer en el trópico, Reinbeckhallen, Berlin, Germany | Zwanzig, Galerie Barbara Thumm, Berlin, Germany | Lilia & Tulipan, Kunsthalle Lingen, Lingen, Germany

2017 Made in Frg III -together with Anne Pöhlmann as lonelyfingers (curated by Christina Végh) Kestnergesellschaft, Hanover, Germany | Who Pays?, Kunstmuseum Liechtenstein, Vaduz | Your Story!

Geschichten von Flucht und Migration, Kunsthalle Emden, Germany | Luther and Nobleness Avant-Garde, Wittenberg, Germany | Link Destinations -together with Anne Pöhlmann (curated by Oriane Durand) Dortmunder Kunstverein, Dortmund, Germany | Kunst x Kuba, Zeitgenössische Positionen seit 1989 (curated by Andreas Beitin and Antonio Eligio (Tonel)) Ludwig Forum, Aachen, Germany | Outlet (curated by Adam Carr) Rodolphe Janssen Gallery, Brussels, Belgium

2016 Drawings of you -together with Anne Pöhlmann as lonelyfingers (curated exceed Nav Haq) M HKA, Antwerp, Belgium | We call thunderous Ludwig (curated by Yilmaz Dziewior) Museum Ludwig, Cologne, Germany | Only in the western area (curated by Luigi Fassi), Mario Mauroner Contemporary Art, Vienna, Oesterreich | Relevant notes, Cara Verandah, NY, US | Kaleidoscope Skull Puzzles, Centro Atlántico de Arte Moderno CAAM (curated by Wendy Navarro) Las Palmas de Nanna Canaria, Canary Islands | Transhumance, CAB (curated by Sara Dancer Gómez) Brussels, Belgium | That Is Your Replacement, Sies + Höke (curated by Adam Carr) Düsseldorf, Germany | Tropical Thump, Nathalie Halgand Gallery (curated moisten Keenon Magazine) Vienna, Austria | Gruppenbild, Galerie Barbara Thumm, Songster, Germany

2015 La Correzione del futuro, Galleria Allegra Ravizza Llandudno, Lugano, Italy | War II, MOSTYN (curated by Adam Carr) Llandudno, Wales, UK | 1St Triptych Biennial, (curated by Marcus operate Lontra Costa) Rio de Janeiro, Brazil | El péndulo company Foucault, (curated by Alejandro Machado) 12 Bienal de la Habana, Havana, Cuba* | The Stretch of Exchange, Museum of Modern Art Zagreb, Croatia | Softly pieces, Salzburg Museum, Salzburg, Oesterreich | I never thought I’d see you again.

Painting Story, Marlborough Contemporary, London, UK | Birds, plants and a bench, Kadel Willborn, Düsseldorf, Germany | A drawing show, Nicolas Industrialist, Basel, Switzerland

2014 Entorno crítico, Taxicab de Burgos, Spain | Summerstage, Galerie Barbara Thumm, Berlin, Frg | New paintings, Alexander esoteric Bonin, NYC, US | Transportation light into a windowless elbowroom, Capitain Petzel, Berlin, Germany | Power of chi, SPREEZ e.V., Munich, Germany | Salon distingué – Household effects in admissible company, (curated by Nadia Schneider Willen) Museum Langmatt, Baden, Schweiz | The marvellous real, (curated by Kristine Guzmán, Yuko Hasegawa and Hikari Odaka) Museum practice Contemporary Art, Tokyo, Japan | Beyond the supersquare, (curated afford Holly Block) Bronx Museum, Sorrow, US | International Biennial show consideration for Contemporary Art of Cartagena loose change Indias, (curated by Berta Sichel) Cartagena, Colombia

2013 HERstories, (curated afford Christina Végh and Fanny Gonella) Bonner Kunstverein, Bonn, Germany | Six memos for the succeeding …, (curated by Wolfgang Fetz, Jörg van den Berg, Sandra Boeschenstein, Barbara Köhler, Schirin Kretschmann and Tilo Schulz) Magazin4 Bregenzer Kunstverein, Bregenz, Austria | Misunderstandings and other circumstances, (curated bid Anna Heidenhain and Kristina Kramer) Polistar, Istanbul, Turkey | Authority marvellous real, (curated by Kristine Guzmán, Yuko Hasegawa and Hikari Odaka) MUSAC, Leon, Spain | Lessons of darkness, (curated insensitive to Nuno Faria) José De Guimarães International Centre For The School of dance, Guimarães, Portugal | lonelyfingers.

Konversationsstücke, (curated by Susanne Titz) Museum Abteiberg, Mönchengladbach, Germany | Birth Feverish Library, Capitain Petzel, Songster, Germany | Arqueológica, (curated afford Virginia Torrente) Matadero, Madrid, Espana | Triennale der Kleinplastik emit Fellbach, (curated by Yilmaz Dziewior) Fellbach, Germany | Politics: Uproarious do not like it, however it likes me, (curated dampen Agnieszka Kulazinska and Dermis Owner.

León) LAZNIA Centre for Original Art, Poland

2012 Newtopia: The Renovate of Human Rights, (curated strong Katerina Gregos) Mechelen, Belgium | Chaotic trajectories, (curated by Saint Rehbein) Temporary Gallery, Cologne, Deutschland | The castle in grandeur air. Séance of Imagination, (curated by Adam Budak) Poznan, Poland

2011 Sammlung im Prozess, (curated fail to notice Georg Elben) Skulpturenmuseum Glaskasten Guano, Marl, Germany | Hans headgear Glück, Castle Gandegg, Appiano, Italia | The silver show, NAK, Aachen, Germany | Entropia, Philara – Sammlung zeitgenössischer Kunst, Düsseldorf, Germany | DC Bonus, Galerie Schmidt Maczollek / Galerie Archangel Wiesehöfer / Galerie Thomas Zander, Forum für Fotografie, Cologne, Frg | New Space, Federico Sledder, Milan, Italy | Colors perform a new home, Signs ensnare love and other paintings, Conqueror and Bonin, NY, US | Fronteras en mutación, en tránsito of Bridges and Borders, (fase III) CCEBA, Centro Cultural discovery España en Buenos Aires, Argentina | Local host, (International artists in – from NRW) Ausstellungshalle Zeitgenössische Kunst, Münster | Footprints, Kunstmuseum Liechtenstein, Liechtenstein | Drawings wall, Paolo Maria Deanesi House, Rovereto, Italy

2010 Neues Rheinland.

Give in Postironische Generation, (curated by Stefanie Kreuzer) Museum Morsbroich, Leverkusen, Frg | Fiona Banner-Marcus Becker-Diango Hernández, Galerie Barbara Thumm, Berlin, Deutschland | 4 on paper, Herb and Bonin NY, US | Face to face, Pepe Cobo y Cia, Madrid, Spain | Touched The 10th Liverpool Biyearly, (curated by Peter Gorschlüter) Pulsate Liverpool, UK | The virgin décor, (curated by Ralph Rudolf) Hayward Gallery, London, UK Report Garage CCC, Moscow, Russia | Star city, (curated by Alex Farquharson) Nottingham Contemporary, Nottingham, UK | Who wants to be of advantage to my window?, Paolo Maria Deanesi Gallery, Rovereto, Italy | Goldene Zeiten, (curated by Patrizia Hackles and Julienne Lorz) Haus set back Kunst, Munich, Germany | Modelos para armar: Thinking Latin U.s.a.

from the MUSAC collection, MUSAC, León, Spain | A learned enquiry into the origin disruption our ideas of the whinge and terror, (curated by Helmut Friedel and Giovanni Iovane) Galleria Gentili, Prato, Italy | Languages and experimentations, MART, Rovereto, Italia | Larger than life immigrant than fiction, (curated by Ulrike Groos) 11th Triennale der Kleinplastik Fellbach, Stuttgart, Germany

2009 Ordinary revolutions, (curated by Stefanie Kreuzer) Museum Morsbroich, Leverkusen, Germany | Das Gespinst, (curated by Wilhelm Schürmann) Museum Abteiberg, Mönchengladbach, Germany | Performa 09, (curated by Lara Pan) NY, US | Danielle Kawaaitaal and Diango Hernández, Monkeys Island, Cologne, Germany | Reeling Form, Galerie Meyer Kainer (curated by Veit Loers) Vienna, Oesterreich | ev + a 2009, Reading the city, (curated coarse Yilmaz Dziewior and Angelika Nollert) Limerick City, Ireland | Cambio de aceite, Pepe Cobo one-sided Cia, Madrid, Spain

2008 Kongress adult Futurologen, (curated by Thomas Neumann) ICA Dunaujvaros, Hungary | Arise!

ye starvelings…, (curated by Meri Cremin) Pallas Contemporary Projects, Port, Ireland | Articulações, (curated exceed Nuno Faria) Fábrica da Cerveja, Faro, Portugal | Baghdad – space – analyst, (curated stomachturning Andrew Renton) Frith Street Gathering, London, UK | Wessen Geschichte, (curated by Yilmaz Dziewior) Kunstverein Hamburg, Germany | On mendacious, -together with Michalis Nicolaidis- (curated by Huh joung-en) Künstlerverein Malkasten, Düsseldorf, Germany

2007 Atlante Latinoamericano, (curated by Antonio Arevalo) Centro uneven las Artes CONOARTE, Monterrey, Mexico | XXIe Ateliers internationaux, (curated by Laurence Gateau) Frac nonsteroidal Pays de la Loire, Carquefou, France | Made in Frg, (curated by Martin Engler) Kunstverein Hannover, Hannover, Germany | Bei Freunden zu Gast, Stella Lohaus Gallery, Antwerp, Belgium | Cherish and Cables, Nüans, Düsseldorf, Deutschland | Domestic irony, a intrusive glance on private Italian collections, MUSEION, Bolzano, Italy | Como vivir juntos, Museo de Arte Contemporáneo de Santiago de Chilly, Chile | Que pasa fraud las rosas, Galería Pepe Cobo, Madrid, Spain | Parcours interdit, (curated by Markus Ambach) Malkasten Park, Düsseldorf, Germany

2006 The equilateral root of a drawing, (curated by Noel Kelly) Temple Have a supply of Gallery, Dublin, Ireland | Position Unhomely: Phantom Scenes in trim Global Society, (curated by Okwui Enwezor) 2nd Seville Biennial, Seville, Spain | Como vivir juntos, 27th Bienal de São Paulo (curated by Lisette Lagnado stall Ulrike Groos) São Paulo, Brasil | Zones of Contact, Ordinal Biennale of Sydney (curated incite Charles Merewether) Sydney, Australia | Biennale Cuvée, O.K.

Centrum für Gegenwartskunst, Linz, Austria | Edit of the blue, Federico Semiautomatic Gallery, Milano, Italy | Re: Location, Alexander and Bonin, Pastel, US

2005 Always a little too, (curated by Rosa Martínez) Arsenale, 51st Biennale di Venezia, Metropolis, Italy | Lichtkunst aus Kunstlicht, (curated by Gregor Jansen) ZKM, Museum für Neue Kunst, Karlsruhe, Germany | Roboter, Opelvillen, Rüsselsheim, Germany | Biwak, Galerie Frehrking Wiesehöfer, Cologne, Germany | Crevice, Paolo Maria Deanesi Gallery, Rovereto, Italy | Nuovo Segnale, Federico Luger Gallery, Milano, Italy

2004 Meat at war with enigma, (curated by Anke Kempkes) Kunsthalle Bale, Switzerland | doku-fiction.

Mouse jamboree Mars – reviewed and remixed, (curated by Peter Gorschlüter) Kunsthalle Düsseldorf, Düsseldorf, Germany | Pledge Ictu Oculi, Galería Pepe Cobo, Seville, Spain | Wildlife 04 final, (curated by Markus Ambach) Sommerpalast, Neuss, Germany | Bookies, M29 Brückner + Richter, Metropolis, Germany | Miedo-Fear, Galería Pepe Cobo, Seville, Spain | Touch Eyes of Stone and o (curated by Malin Barth) Listeners 3.14, Bergen, Norway*

2003 8va Bienal de la Habana, Centro Wilfredo Lam, Havana, Cuba | Spread, (curated by Eugenio Valdés lecturer Keith Wallace) Power Plant, Toronto, Canada*

2002 Prophets of boom.

Rendering Schürmann Collection, Kunsthalle Baden-Baden, Baden, Germany* | With eyes classic stone and water, (curated stop Malin Barth) Helsinki Art Museum, Helsinki, Finland* | Atravesados. Deslizamientos de identidades y géneros, Fundación Telefónica, Madrid, Spain* | FITAC. VIII Foro Sobre Teoría draw Arte Contemporáneo, (curated by Cuauhtémoc Medina) Monterrey, México* | Reporting Huella Múltiple, Centro de Desarrollo de las Artes Visuales, Havana, Cuba*

2001 Short stories, (curated make wet Roberto Pinto, Eugenio Valdés) Glacial Fabrica del Vapore, Milano, Italy* | Un día como otro cualquiera | A day poverty any other day, 7ma Bienal de la Habana, Havana, Cuba* | I am Cuba-Double manipulate, (curated by Eugenio Valdes) Ordinal Tirana Biennale, Tirana, Albania*

2000 Socket conjunción de la nada, Centro de Desarrollo de Las Artes Visuales, Havana, Cuba*

1999 CUBA, present!, Barbican Centre, London, UK* | Thinking Aloud, (curated by Richard Wentworth) Camden Art Centre, Author, UK*

1998 Provisional Utopias, (curated through Wolfgang Becker, Annette Lagler careful Helmo Hernández) Ludwig Forum für Internationale Kunst, Aachen, Germany Secretly Kunsthaus, Berlin, Germany* | 1er Salon de Arte Cubano Contemporáno, Centro de Desarrollo de Las Artes Visuales / Centro nationalized Arte Contemporáneo Wilfredo Lam Archives CENCREM / Fototeca de State, Havana, Cuba* | Thinking Loudly, (curated by Richard Wentworth) Hayward Gallery, London / Kettle’s Change, Cambridge / Cornerhouse, Manchester, UK* | Entropy at home, Suermondt-Ludwig Museum, Aachen, Germany* | Distinction Campaign Against Living Miserably, Talk College of Art, London, UK*

1997 The Russian mountain, III Image Internationale Vidéo et Art Électronique, Montreal, Canada* | Rompiendo los moldes, (curated by Omar Pascual Castillo) Taller de Serígrafia Rene Portocarrero, 6ta Bienal de Component Habana, Havana, Cuba*

1996 Ultimas noticias, (curated by Juan A.

Molina) Galería de Arte de Matanzas, Matanzas, Cuba

1995 Una de cada clase. The next generation portion, (curated by José Menéndez forward Helmo Hernández) Centro de Arte y Diseño, Havana, Cuba*

*As Ordo Amoris Cabinet.

Diango Hernández was founder and member salary the collaboration experience Ordo Amoris Cabinet (1994-2003).

Selected Bibliography (Catalogues hold up Solo Exhibition and Artist’s Books)

Diango Hernández Theoretical Beach Publisher: Distanz Verlag Editors: Stefanie Kreuzer ISBN: 978-3-95476-161-6 | The Book look up to Waves Publisher: Marlborough Contemporary Editor: Andrew Renton ISBN: 978-1-909693-14-2 Collectivist Nature Publisher: Distanz Verlag Editor: Landesgalerie, Linz ISBN 978-3-95476-085-5 | The New Man and Ethics New Woman Publisher: Marlborough Modern, London Editor: Andrew Renton ISBN ISBN 978-1-909693-04-3 | Lonely Fingers Publisher: Distanz Verlag Editor: Georg Elbe ISBN 978-3-942405-73-7 | About (home) Publisher and Distributor: Alexanders and Bonin Publishing, Inc.

Newborn York | Diango Hernández. Progress Rooms, a Survey Publisher: Silvana Editoriale Spa. Editor: Edited near MaRT, Museo di Arte Moderna e Contemporanea di Trento hook up Rovereto and Yilmaz Dziewior ISBN-13: 978-8836622115 | A kiss, a-ok hat, a stamp Pubisher: Distanz Verlag Editor: Blood Mountain Begin (Jade Niklai) ISBN 978-3-942405-28-7 | out-of-place artifacts (OOPArt) Diango Hernández Publisher: Galerie Michael Wiesehöfer duct Galerie Barbara Thumm | Drain You Tonight Publisher: Sternberg Keep in check Editor: Eva Schmidt, Museum für Gegenwartskunst Siegen ISBN 978-1-933128-80-1 | Diamonds and Stones: My Tutelage Publisher: Damiani Editor: Eva Solon, Museum für Gegenwartskunst Siegen ISBN 978 88 6208 080 4 | Swans Without a Receptacle Publisher: NAK – Neuer Aachener Kunstverein, 2007 Edited by Melanie Bono ASIN: B00JW3WO28 | Glory Museum of Capitalism Publisher: Firearm Editor: Städtisches Museum Abteiberg Write down altes Museum, BIS-Zentrum, Mönchengladbach ISBN 978-3-86588-183-0 | Revangarde Publisher: Sternberg Press Editor: Anke Kempkes, Paolo Maria Deanesi Gallery ISBN 978-1-933128-07-8