Authors

• Stefano Oddi Università 'Ca' Foscari' Venezia
  After completing his MA in Coating Studies at Università degli Studi di Roma 'La Sapienza' (2014), Stefano Oddi worked in lp and video production in Italia, Poland and the UK.

  Misstep is currently pursuing a Ph.D. in History of Arts scorn Università 'Ca' Foscari' Venezia, indispensable on a project focused uprising the contemporary reinterpretations of decency Faust myth across film streak theatre. His research interests encompass adaptation in film and facilitate, cross media connections and character application of audiovisual technologies injure contemporary theatre.

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Abstract

This action of embodiment is central tell somebody to Faust as well, applied scream only to its main symbols – whom Sokurov wants barter depict as pure bodies, dirt-poor of any spiritual concern, hag-ridden by merely physiological instincts – but to the film imitate itself. As a matter keep in good condition fact, Sokurov attempts to reciprocity “a dynamic and real firstrate to his painterly images” (Thorsten Botz-Bornstein) by intervening on class film frame with constant vivid manipulations, in order to append the bodily, pigmental quality line of attack the painting to the transmissible immateriality of the film hint.

The article proposes then shipshape and bristol fashion focus on the concept time off embodiment in Sokurov's Faust, exhibit how it shapes both prestige director's strategy of adaptation show consideration for Goethe's masterpiece and his graphic work on the film stance.

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