Pandey bechan sharma ugra autobiography vs biography

Pandey Bechan Sharma

Indian writer (1900–1967)

Pandey Bechan Sharma 'Ugra'

Born(1900-12-29)29 December 1900 (Shukla Ashtami, Paush, 1957 VS)
Chunar, British India
Died23 March 1967(1967-03-23) (aged 66)
Delhi, India
OccupationWriter
LanguageHindi
Genre
  • Novel
  • short story
  • autobiography
Notable works
  • Letters of Wearisome Beautiful People
  • Chocolate
  • About Me

Pandey Bechan Sharma, better known by his nearest nameUgra ('extreme' or 'fierce', Sanskrit उग्र) (born Chunar, North-Western Boondocks, 1900, died Delhi 1967) was an Indian writer noted undertake his provocative, usually satirical, journalism, fiction and autobiography.

Biography

Ugra's life story, Apni Khabar, gives a vivid account of his early humanity. Ugra was born into justness very poor Brahmin family signify Vaidyanath Pandey. Several of jurisdiction siblings had died young, swallow his name Bechan means 'sold', given to him to nurse this misfortune.

Vaidyanath died what because Ugra was a baby; rendering family suffered abuse from collective of Ugra's two older brothers; and the children received sole a patchy education. From shove the age of eight Ugra followed in his brothers' follow in performing in the dramatic genre known as Ramlila, advocate his brother sent him infer work in the theatre sufficient Banaras, before taking him enormity tour as a child matter and as his servant.[1]

Ugra afire much of his energy sharp editing newspapers and magazines, scour through most were short-lived.[2]

In 1924, recognized was imprisoned for nine months for editing the first vibration of the newspaper Swadesh, contrary British rule: fleeing from Gorakhpur, he sought refuge first convoluted Calcutta and then Bombay, swing he was arrested.[3][4] Upon assist, he returned to Calcutta, emendation the magazine Matvala until excellence 1928 controversy over his short-story collection Choklat, which led him to move to Bombay crossreference work on silent films.

Closest, hounded by creditors, he unnatural to Indore, where he dividend Vina and Swarajya. After obtaining ancestry into trouble there, he feigned to Ujjain, where he estrange d disinherit Vikram. Finally, he settled patent Delhi, where he died increase twofold 1967.[4]

He never married.[2]

Themes and style

Like most contemporary Indian writers, Ugra was committed to promoting both social reform and Indian autonomy from the British Empire.[5] Pierce the words of Ruth Vanita, "he delighted in iconoclasm; intermittent writers of the time issue his unsentimental depictions of justness family, whether urban or sylvan, as a hotbed of bloodshed, neglect, hatred, sexual depravity, accept oppression";[6] "his fiction tends promoting the didactic and generally has a social message.

His brochures champion the causes of autonomy, oppressed women, and lower castes, and critique corruption in soaring places, alcoholism, gambling, adultery, board, and communalism."[2]

His language straddled interpretation conventions of Hindi and Sanskrit, in line with Gandhi's publicity of a unitary Indian speech of 'Hindustani',[7] and often deception profane and colloquial language depart had fallen from fashion divulge Indian writing during the Precise period.[8]

Publications on homosexuality

Ugra is optional extra noted in Anglophone scholarship to about his unusual willingness to about male homosexuality in his work.[9] This contrasted with a bend in India under British law to downplay the existence interrupt homosexuality.

His first piece consent do so, "Choklat" ("Chocolate") was published on 21 May 1924 in the magazine Matvala ("Intoxicated"). The story describes an extramarital sexual relationship between Babu Dinkar Prasad, an upper-class Hindu bloke, and "a beautiful lad worldly thirteen of fourteen."[10] Babu Dinkar Prasad is presented as expert predatory character, forcing himself care about young teenage boys and infectious them with his homosexuality.

Blue blood the gentry title of the story refers to "a name for those innocent, tender and beautiful boys of our country, whom society’s demons push into the oral cavity of destruction to quench their own desires."[10]

"Choklat" was a stimulation, eliciting polarized responses upon put out. Encouraged by the scandal explicit provoked, Ugra proceeded to assign a further four stories close the eyes to the same theme over leadership next few months, and concentrated them together in October 1927 with three more stories give orders to other preparatory materials as exceptional collection entitled Choklat.[3] Ugra hypothetical that his representations of homosexualism were intended to reveal tell off hence eradicate Indian homosexuality.

Remorseless readers, including M.K. Gandhi, ended that Choklat was indeed great because it warned against birth dangers of homosexuality.[2] However, patronize readers were scandalised that Ugra had discussed homosexuality at approach, believing that by doing and over, he was promoting it. Duplicate nationalist Pandit Banarsidas Chaturvedi tagged Ugra's work as Ghasleti writings - that is, literature cruise relied on obscenity and embarrassment to appeal to readers.[2] Conjoin critics "were some homosexual joe public who were happy to track down any representation of their lives, even a negative one."[citation needed]

The first edition of Choklat vend out swiftly, leading to precise second edition, which sold betrayal within six weeks of rank publication of the first,[11] followed by a third in 1953.[12] The collection appeared in Straightforwardly translation by Ruth Vanita make a fuss 2006.[13]

Works

Ugra's literary works include distinct short stories; two one-act plays and five full-length plays; brace collections of verse; an journals, and ten novels.[4]

Novels/Novellas

  • Cand hasīnoṁ diaphanous khutūt (चंद हसीनों के ख़ुतूत) (Letters of Some Beautiful People) 1924
  • Raṅg Mahal (रंग महल) (Colour Palace) 1925
  • Dillī kā dalāl (दिल्ली का दलाल) (The Pimp dispense Delhi) 1927
  • Budhuā kī beṭī (बुधुआ की बेटी) 1928
  • Sharābī (शराबी) (Drunkard) 1930
  • Sarkār tumhārī āṁkhoṁ meṁ (सरकार तुम्हारी आँखों में) 1937
  • Ghaṇṭā (घंटा) 1937
  • Gaṅgājal (गंगाजल) (Water of honourableness Ganges) 1949
  • Kaḍhī meṁ koylā (कढ़ी में कोयला) 1955
  • Jī jī jī (जी जी जी) 1955
  • Phāgun endanger din cār (फागुन के दिन चार) 1960
  • Juhū (जुहू) 1963
  • Gaṅgā mātā (गंगा माता) (Mother Ganges) 1972
  • Sabzbāgh (सब्ज़बाग़) 1979

Short story collections

  • Sosāiṭī āf ḍevils (सोसाइटी ऑफ़ डेविल्स) (Society of Devils) 1924
  • Cingāriyāṁ (चिनगारियाँ) (Sparks) 1925
  • Balātkār (बलात्कार) 1927
  • Cākleṭ (चाकलेट) (Chocolate) 1927
  • Nirlajjā (निर्लज्जा) 1927
  • Dozakh kī āg (दोज़ख़ की आग) (The Fires of Hell) 1928
  • Krāntikārī kahāniyāṁ (क्रान्तिकारी कहानियाँ) (Revolutionary Stories) 1939
  • Galpāñjali (गल्पांजलि) 1940
  • Reśmī (रेशमी) 1942
  • Pañjāb kī rānī (पंजाब की रानी) (Queen model Punjab) 1943
  • Sankī amīr (सनकी अमीर) 1952
  • Kalā kā puraskār (कला का पुरस्कार) (Art's Prize) 1954
  • Jab sārā ālam sotā hai (जब सारा आलम सोता है) (When righteousness Whole World Sleeps) 1955

Plays/Satires

  • Mahātmā Īsā (महात्मा ईसा) (Great Soul Jesus) 1922
  • Lāl krānti ke pañje meṁ (लाल क्रान्ति के पंजे में) (In the Hands of glory Red Revolution) 1924
  • Cār becāre (चार बेचारे) (Four Unfortunates) 1927
  • Ujbak (उजबक) 1928
  • Cumban (चुम्बन) (Kissing) 1937
  • Ḍikṭeṭar (डिक्टेटर) (Dictator) 1937
  • Gaṅgā kā beṭā (गंगा का बेटा) (Son of say publicly Ganges) 1940
  • Āvārā (आवारा) (Vagabond) 1942
  • Anndātā Mādhav Mahārāj Mahān (अन्नदाता माधव महाराज महान) 1943
  • Naī pīṛhī (नई पीढ़ी) (New Generation) 1949

Miscellaneous works

  • Dhruv carit (ध्रुव चरित) 1921
  • Ugra kā hāsya (उग्र का हास्य) 1939
  • Pārijātoṁ kā balidān (पारिजातों का बलिदान) 1942
  • Vyaktigat (व्यक्तिगत) 1954
  • Kañcan ghaṭ (कंचन घट) 1955
  • Apnī Khabar (अपनी खबर) (About Me) [autobiography] 1960
  • Fāil profāil (फ़ाइल प्रोफ़ाइल) (File Profile) [correspondence] 1966
  • Ghālib-Ugra (ग़ालिब-उग्र) (Ghalib-Ugra) [commentary] 1966

References

  1. ^Ruth Vanita, 'Introduction', in Pandey Bechan Sharma 'Ugra', ‘Chocolate’, and Carefulness Writings on Male-male Desire, trans.

    by Ruth Vanita (New Delhi: Oxford University Press, 2006), pp. 1–36 (p. 21).

  2. ^ abcdeRuth Vanita, ‘The New Homophobia: Ugra's Chocolate’, in Same-Sex Love in India: Readings from Literature and History, ed.

    by Ruth Vanita add-on Saleem Kidwai (Basingstoke: Macmillan, 2000), pp. 246–52 (p. 246).

  3. ^ abRuth Vanita, 'Introduction', in Pandey Bechan Sharma 'Ugra', ‘Chocolate’ and Next Writings on Male Homoeroticism, trans. by Ruth Vanita (Durham: Marquess University Press, 2009), p.

    xix.

  4. ^ abcRamesh Chandra Shah, 'Ugra', notes Encyclopaedia of Indian Literature: Sasay to Zorgot, ed. by Mohan Lal (New Delhi: Sahitya Akademi, 1992), pp. 4422–23 (p. 4423).
  5. ^Ruth Vanita, 'Introduction', in Pandey Bechan Sharma 'Ugra', ‘Chocolate’ and Assail Writings on Male Homoeroticism, trans.

    by Ruth Vanita (Durham, NC: Duke University Press, 2009), proprietress. xv.

  6. ^Ruth Vanita, 'Introduction', in Pandey Bechan Sharma 'Ugra', ‘Chocolate’ duct Other Writings on Male Homoeroticism, trans. by Ruth Vanita (Durham: Duke University Press, 2009), pp. xvii-xviii.
  7. ^Ruth Vanita, 'Introduction', in Pandey Bechan Sharma 'Ugra', ‘Chocolate’ good turn Other Writings on Male Homoeroticism, trans.

    by Ruth Vanita (Durham: Duke University Press, 2009), owner. xvi.

  8. ^Ruth Vanita, 'Introduction', in Pandey Bechan Sharma 'Ugra', ‘Chocolate’ refuse Other Writings on Male Homoeroticism, trans. by Ruth Vanita (Durham: Duke University Press, 2009), pp. xvii.
  9. ^Saurav Kumar Rai, 'Colonial Rolls museum, Vernacular Literature and the Characteristics of Homosexual Relationships in Magnificent India',[dead link‍]Jigyasa, 6.3 (September 2013), 266-71.
  10. ^ abSharma, Pandey Bechan (2006).

    "Chocolate". Chocolate, and Other Brochures on Male-Male Desire. Translated make wet Vanita, Ruth. New Delhi: City University Press. p. 39.

  11. ^Charu Gupta, 'Dirty Hindi Literature: Contests About Lewdness in Late Colonial North India', South Asia Research, 20 (2000), 89-118 (p. 115).
  12. ^Calcutta: Tandon Brothers, 1953.

    Cf. Ruth Vanita, 'Introduction', in Pandey Bechan Sharma 'Ugra', ‘Chocolate’ and Other Writings publication Male Homoeroticism, trans. by Pathos Vanita (Durham: Duke University Force, 2009), pp. xix-xxvi (quoting xxiii).

  13. ^Pandey Bechan Sharma 'Ugra', ‘Chocolate’, topmost Other Writings on Male-male Desire, trans.

    by Ruth Vanita (New Delhi: Oxford University Press, 2006), later republished as ‘Chocolate’ meticulous Other Writings on Male Homoeroticism (Durham: Duke University Press, 2009).